Thursday, June 25, 2026

Update - Publication and Blogging


The Evangeliad
Good news on my forthcoming book! The Evangeliad: The Gospel in Poetic Form is moving rapidly through the publication pipeline over at Resource Publications (Wipf & Stock). We're finalizing the typesetting for the interior proofs this week, and collecting endorsement quotes for the cover at the same time. Feedback has been really encouraging so far, so I'm pretty excited about this project. Here's a quick advance snippet from one of my endorsers, an Anglican bishop:

"The Evangeliad is a rare and radiant gift to the Church. Matthew Burden has taken the familiar story of Jesus and rendered it in a poetic form that feels both ancient and astonishingly new. These lines move with the cadence of Scripture, the tenderness of devotion, and the sweep of epic storytelling. As one who loves the Gospel and serves the people of God, I commend this work with joy. It invites the reader to slow down, breathe deeply, and behold Christ with renewed wonder. Burden’s craftsmanship honors the biblical text while opening a doorway into contemplation—an invitation to sit in the shade of beauty and let the story of Jesus speak again to the heart. My prayer is that The Evangeliad will enrich the devotional life of individuals, families, and congregations, drawing many into deeper love for the One whose glory shines through every page."

We don't have a release date yet for the manuscript, but I'll certainly post the date here once we know. If any of my blog-readers would like to serve as an "advance reader" for the manuscript (read a free digital copy first, and be ready to post an Amazon review as soon as the book goes public), please reach out to me at the contact info on my church's site (see the email address listed for me at the bottom of the webpage: www.calaisbaptist.org/contact). It's generally recommended that authors try to arrange for a few readers' reviews to go live on the publication date, as that really helps the book's Amazon algorithm. So if that sounds like something you'd like to do, just drop me a line.

Blogging
Good news, too, for longsuffering readers of my blog. With my busy slate of book-publishing receding in the rearview mirror, I'm actively planning to get back to the blog. Not at the scale of my old one-post-a-day schedule, but I'm committing to one post per week (usually on a Friday). I had contemplated migrating my account over to Substack to look cool and fashionable like all the other writers, but then I decided I don't care about that, so I'm sticking with the old functional web-dinosaur, Blogger, for the time being. One of the sacrifices of sticking with Blogger, though, is that there's no possibility of twisting my readers' arms into paid subscriptions for my writings (which, let's be honest, probably aren't worth a subscription). In lieu of that, and recognizing how very popular excessive tipping has become, I have included a button in the blog's sidebar (also accessible on the "Connect" page) to function as a little "tip jar" if anyone feels so inclined.

My plan, starting in July, is to leave aside the local-ministry videos and studies I've been putting up (those are still available from my church, just see the links on the bottom of this blog's "Resources" page), and to resume a regular posting schedule. On the first Friday of the month, I'll be putting up some of my nature photography, accompanied as always by a text from Scripture or liturgy for reflection; on the second Friday, I'll post a new original hymn; on the third Friday, a prose reflection or thinkpiece (possibly a new memoir-style series reflecting on the church); on the fourth Friday, a rough-draft selection from my new project, The Evangeliad: Acts of the Apostles. Yes, that's right, I'm going to do a second volume, even if no one but me and my friend the Anglican bishop ends up liking the first volume. These monthly Evangeliad posts will not represent the entirety of the new book's text, but sporadic selections. And as for what I'll post on those rare fifth Fridays of the month, well, that's anyone's guess. We'll see what comes up. And as readers of my blog know, there's always the off-chance that my brain will get running full-tilt down some random tangent here or there, which might end up producing excessively long blog articles even if it's not a Friday! So keep your eyes open, friends. I appreciate your support, and look forward to celebrating the grandeur of God together through the beauty of his creation and the written word.

Tuesday, January 20, 2026

New Book Release!

My new book comes out today! It continues my contributions to historical missiology (begun with my last book, Missionary Motivations), and looking this time at the major movements in both hymns and missions that developed in the 18th century. This book makes the case that a revolution in hymnody directly paved the way for the launch of the great Protestant mission movement. I'm posting links below to the book's page from both my publisher and Amazon, as well as a video interview about the book in case you're interested.






Wednesday, December 17, 2025

Holidays and Pagan Roots - Should We Celebrate Christmas?




Here's the video and a link to the handout for this week's Q & A study at my church. Unlike other weeks, where I've provided the handout text in the blog post itself, this time I'm just posting a link to the entire thing. The reason is that I went a little overboard, and the thing is 14 pages long. It not only breaks down the arguments around Christmas traditions, but it goes into Easter and Halloween too for good measure. A good resource, hopefully, but a little long for a blog post. Clicking the link should bring you to the document, where you can save a copy for yourself if you like.

Tuesday, December 02, 2025

On Understanding the Heart of God - Is the Classical View of Divine Impassibility True?


I had a recent series of discussions with my brother, also a pastor-theologian, and it prompted a long reflection on questions that most of us probably don't think about often, but which have loomed large in the traditions of Christian theology. It started with a discourse on the nature of time and eternity after Thanksgiving dinner (as is customary, I'm sure you'll agree), but it soon migrated into a reflection on the impassibility of God--the idea that God does not suffer change, including the changeability of emotions. If you're wondering how those two abstruse topics are connected, well, it turns out that if you're defending a position like mine, which prefers both to think of God as truly possessing emotion in the fullest sense, and also to think of God as eternal (that is, being completely beyond time), then that seems to imply that grief will be a part of God's experience forever--and this my dear brother (together with most of the greatest theologians of church history) found difficult to swallow.

It's only with fear and trembling that I dissent from a near-unanimous opinion of the early church fathers (and my brother), but on the impassibility of God, something in their position doesn't seem quite right. And I'm not alone in this--a significant swath of modern theologians, even in theologically conservative traditions, have dissented from the classical idea of the impassibility of God, or at least sought to seriously modify the way it's emphasized. Joining me on this side of the field, for instance, are modern theological heavyweights like Paul Fiddes (a Baptist theologian who taught at Oxford) and Pope Benedict XVI. 

Divine Impassibility

So let's back up a step. What's the classical view? Well, the early church fathers taught that God's ontological nature is absolutely unchangeable. It is undivided, which means that all his virtues and attributes are fundamentally united, never changing in their balance or consistency. That seems to follow from both Scripture and good sense, and this sensibility offers several important reassurances to the believer. If God is unchangeable, then he is indeed a rock-solid foundation for our trust. He is the same God he always was and always will be, forever faithful. But the early church fathers thought this unchangeability necessarily included another aspect: that God is completely above the changeability of emotions. He is not subject to passing moods, capricious whims, storms of wrath, or fickle loves. He does not suffer or experience grief. All of these things, they thought, would imply that God's nature can be influenced, acted upon, and pushed around by circumstances external to himself, which would impinge on his sovereign freedom and absolute self-sufficiency. If God can be influenced by his creatures in a way that moves him from what he was to some new state, then he is no longer the eternally reliable foundation of our hope--he is changeable. Or at least, that's what they thought.

Now, there's some nuance here. The fathers would be quick to point out that what we think of as emotion is a lesser reality, and the corollary features of God's character--those which parallel our emotions--are higher and fuller and richer than we can conceive. Therefore it is proper to speak of God's love, for instance, and even, as Scripture does, of his wrath, his grief, and so on. But in doing so, the fathers would say that we must not imagine any of these things as we typically do. God's love is not a yearning, pining, desiring love, as if God was somehow made vulnerable, able to be hurt or diminished by another's choice. Rather, God's love is not emotionally vulnerable at all, but is supremely self-sufficient and infinitely giving, always willing the good of the other. God is a fountainhead of love in this sense--always secure in his own beatitude, and always pouring forth his unchanging intent to save and to bless. Even God's wrath is really just a manifestation of his love (i.e., his intent to do good), refusing to allow sin and evil to hold sway and to further corrupt his creation. Further, impassibilists will emphasize that God's love was made manifest in a special way in the Incarnation, in which he united himself, in the person of Jesus Christ, the Son of God, to a passible human nature. In that human nature, the Son of God truly suffered, experienced grief, sorrow, and all the sweep of our emotions. But--and here's the crucial point--the Son of God did not experience any of that in his divine nature, which remained entirely serene, blissful, and unperturbed (because, remember--God can't be changed, even by the passion of emotions).

Okay, so that's the picture that the early church fathers, and all of classical theism, would give. And there's a lot to admire here. But if it feels somehow sneakily unsatisfying as an answer, there's good reason for that. 

Critique of the Impassibilist View

Think about the picture of God's love outlined above. It sounds really nice to describe it as always giving, characterized by the intent to do good, and so on. But if you think about it, that's not actually what we mean by love. We recognize all of those descriptions as characteristic of other virtues, like kindness, which are not generally thought of as higher, but as lower than genuine love. My love for my dog is characterized by the unchanging intent to do her good, but I don't love her as I love my children, for whom I make myself vulnerable at the deepest heart of who I am. Vulnerability is part of what we mean by love, and we intuitively recognize that as a higher form of love. A father who does not make himself vulnerable in love toward his children--who feels no pain at their rebellion, for instance--is not a particularly good father.

And if a classical theist would object here, "But that's exactly what God did do in the Incarnation--make himself vulnerable in the most unbelievable way possible!"--I would say, yes, absolutely! But when we look at the Passion of Jesus through an impassibilist lens, there are some quirks of the narrative that many Christians will find surprising. So much so, in fact, that an impassibilist appeal to the Passion can sometimes almost feel like sleight-of-hand. That's not to say that impassibilist scholars are trying to trick us, far from it--many admirably try to make the Incarnation the center of God's self-revelation of love (and properly so!), but the result often seems to come up with the same picture in the end: the Incarnation as a curious exception rather than the defining paradigm of a self-giving love that can, in fact, truly suffer for the sake of its love for humanity. In impassibilists' eyes, the divine nature does not change, and they read this to mean that it does not "feel" anything as we do--not even in the Passion of the Lord. God showed us his love in Jesus, yes--but the impassibilists end up having to portray that love as being bounded in this one limited historical episode, carefully boxed up inside Jesus's human nature but not touching his divine nature, or else God's unchanging nature could not be described as perpetually serene and unruffled. God's unchanging nature, you see, is still entirely invulnerable, even in the Passion. The Father feels no sorrow at the death of the Son, because the Father cannot feel sorrow--that would (it is thought) diminish him. To put it pointedly regarding your own condition before God: the impassibilist position is forced to insist that the Father feels no loss if you are lost, because the Father cannot feel loss. Sure, one might be able to say that God embraces our suffering in the crucifixion of Jesus, but even this appears to lose something of its meaning once we realize that the Father feels nothing of that suffering. In our relations with the Father, we do not experience the running embrace of the one who receives the prodigal home, but an infinitely unflappable Buddha in the heavens. In Jurgen Moltmann's incisive critique, he describes classical impassibility as showing God reigning serenely over Auschwitz. Is such a view really a higher view of God, or a lower one that rightly makes us shudder? One could easily imagine a great celestial machine that felt nothing and always sought the good of others--but would that be God? I think not.

So I'm not convinced by the classical argument for divine impassibility, and for three main reasons: 

First, I think there's a logical weak link in here, when we assume that the apparent changeability of emotions is somehow a threat to God's ontological impassibility. It's absolutely true that his nature and character do not change. But are the states we refer to as emotions really an element of ontological nature, or something else? I think what we refer to as "emotions" are actually images of his unchanging nature, which we see refracted in different aspects because in its relationality, it looks different when in contact with different aspects of our reality. If that sounds like another way of saying impassibility, it's really more like saying that emotion is a reflection of the fullness of God's character, not (as classic impassibility would have it) a mirage meant to point to something rather different than what we even mean by emotion.

Second, and more importantly, I'm also unconvinced because the view above, for all its philosophical appeal, seems to stand in direct contradiction to God's self-revelation in Scripture. God portrays himself as passionately emotional--so much so, at times, that it's a little over the top (just read Ezekiel and the minor prophets). One gets the sense that there is vibrancy in the emotional life of the Godhead that is well beyond what we experience. Nonetheless, classical impassibility reads these instances in Scripture as anthropomorphisms meant to aid our understanding--we are meant to learn something about God from these texts, but apparently not that he experiences emotion. I alluded to the parable of the Prodigal Son above. Doesn't it seem to be a very strange story for Jesus to tell, if he does not mean for us to understand from it (among other things) that the heart of God toward us is a yearning, desiring, even a grieving one? It is of course possible to reconcile the impassibilist position to Scripture by arguing that any "emotions of God" text must be interpreted as anthropomorphic analogies (and indeed, that's a very faithful, and sometimes necessary, way of reading those texts)--but the ubiquity of the emotional language ascribed to God, even in the teaching of Jesus, seems to leave one in a difficult spot. If I can put it crudely, one almost has to accept that God is a rather poor communicator in the way he has inspired his Scriptures, if he intended us to discern that he is beyond all emotion. 

Third, I'm unconvinced because impassibility seems to me to be a relic of the Platonism that reigned in the philosophical circles in which the early church fathers lived and worked. It's an idea that predates Christianity, and it's also an idea that is calibrated to respond to a particular context: the capriciously whimsical, over-emotional gods of the pagan pantheon. One might expect such influences to push the classical view of God in a wide pendulum-swing in the opposite direction, which is what I think has largely happened here. Now, to be clear, that's not a full argument in itself. There are many parts of pre-Christian Greek philosophy which I embrace wholeheartedly and which, I think, are a good match for Scripture--the eternality of God being one. But the context in which ideas grow is important, and knowing this context should give us at least some pause. (And to the contrary objection, that my perspective arises from the post-Romantic context of modern Western sentimentality, well, let's just say I have some good books from the medieval mystics I can lend you which will disabuse you of that notion fairly quickly.)

My Position

So I don't buy classic impassibility. But neither does my position swing all the way to the other end, in which God is characterized by wild swings of passion and emotion. There are some middle grounds here, but they're tough to wrap our minds around. I'm actually arguing for one of the middle grounds--the ontological impassibility of God's nature, but with the sovereignly volitional vulnerability that the fullness of his love necessarily includes.

Let me go back to the nature of emotion as a refracted reflection of God's own nature, as it relates to our changing experiences. We have names for a wide variety of emotional states, some of which, according to Scripture, apply to God (love, anger, grief, etc.) and some of which don't (embarrassment, shame, despair and so on)--the latter naturally do not directly relate to God because they are, in fact, a manifestation of our imperfection and sin. Even those latter emotions, though, are pointers to the nature of God in their own way. Such emotions betray a recognition that we are not who we ought to be. We have a deep-seated desire to be holy and perfect--and so, in a roundabout way, even those emotions are refracted reflections of God's own nature, since he is holy and perfect and calls us to be so as well. But what about the ones that do directly apply to God? I would argue that they are all part of the fundamental unity of God's character, best understood as love--real, authentic, self-giving, and, yes, vulnerable love. Such love does manifest as wrath when the good of its beloved is threatened (as by sin). Such love does manifest as grief when its beloved is lost. But this doesn't make wrath or grief or sorrow or any of those things definitive of the character of God in a total sense--they are manifestations of his fundamental, unchanging love as it interacts with our changing circumstances, and it is love that defines God's character.

Does this entail, then, that God can feel loss (in an emotional sense, or at least something meaningfully analogous to our emotions)? Yes. But that does not mean that God is ontologically diminished in any way, merely that in his sovereign volition, he has made his heart vulnerable to us in love. The loss inherent in that love is not a sign of diminishment, but rather a sign of the fullness of his love. If it were not capable of loss, it would be a lesser form of love--and that would be an ontological diminishment, which is the very thing the impassibilists are trying to avoid. As argued above, a love that includes no possibility of grief or loss is easily recognized in our experience as a substandard sort of love--one that is unwilling to extend itself meaningfully to the other.

So does this mean that grief and sorrow are forever part of the heart of God (if we can even express it like that)? I think we have to say yes. The cross is the central movement in history, the one great visible sign of God's love, and if it means what it appears to mean, then it means that God's love is so vast that he has accepted sorrow and grief and loss into his very heart, all out of the vastness of his love for us. And again, I think it's a mistake to believe that ascribing a sense of emotional loss to God is a diminishment of God. To me, the opposite view would be the diminishment--a God whose love can only run in one direction, a love which does not really care for the other to the degree that it can be affected by the other.

Responding to Objections

Now, one cannot build one's argument only on intuitions about what love ought to be like--nevertheless, it may be instructive to note once again that these intuitions, over against the impassibility perspective, seem to match the way Jesus depicts the Father's heart, as in the Prodigal Son parable mentioned above. If our intuitions match the tone and tenor of Scripture, then it should take more than mere philosophical plausibility to overturn them. So let's examine a little more closely the impassibilists' causes for concern at my argument, to see if there are perhaps further considerations to which we should give due attention. Many impassibilists would think that my argument--in which sorrow and grief in some sense become an eternal part of the experience of God--is problematic, not least because it seems to suggest that God's beatitude can be diminished, making his "fullness of joy" dependent on creatures rather than on his own self-sufficient infinity. 

But I'm not sure this is a cogent response, for three reasons. First, it tends to use terms most closely tied to emotional states--beatitude, bliss, joy, happiness--as something proper to God, when the whole argument has been about denying the coherence of applying such states to God. How can one speak of God's joy or happiness at all, if God does not experience emotion in any form approaching what we understand emotion to be? Aren't those also anthropomorphisms according to the impassibilist line? I think the best we could do is to define impassible beatitude as "self-sufficient serenity." Maybe to some that's a greater good than genuine love, but to my ears that idea strikes more of a Buddhist chord than a Christian one. 

Second, I believe the response above also mischaracterizes my argument, by amplifying such things as grief and sorrow to an overriding and independent identity of their own, when my case posits that they are, in fact, merely sub-aspects of God's love. It is God's love that is forever full, and since the fullest form of love includes the possibilities of grief and sorrow, then yes, they are included here too--but that simply means that God's love is the richest it can possibly be. They are a part of his love, not something to be considered separately. Ask any parent who has loved a child and lost them whether it would have been better never to have loved that child, and, aside from perhaps the most extreme exceptions, you will get a unanimous response back: as Tennyson noted, it is better to have loved and lost than never to have loved at all. That's the question about God's love--does he love in that way--a love vast enough to embrace perpetual loss, counting the beloved worthy even of that--or is it something a little more limited, like perpetual kindness?

Third, let's tackle the question of joy, even if it is an emotional term (it just happens to be one of the emotional terms impassibilists like to use, so it's fair game). Does the God's love-grief necessarily diminish the fullness of God's joy? I don't think so. While it's admittedly hard for us to simultaneously hold together the emotional states of joy and grief (and thus hard to imagine what that would be like for God in the eternal state), experience teaches us that grief is very often the place from which the richest joy of all can bloom, either by a contrast which has deepened its meaningfulness (like the joy at the end of The Lord of the Rings) or by direct result (like the joy made possible by the grief of the cross). One could argue, in fact, that in our experience, grief and sorrow act as amplifiers of joy rather than diminishers of it, particularly if--in the words of Chesterton--grief is something "special and small" in comparison to the joy that results from the fullness of God's love. To use an everyday example, you could put it this way: like the sharpness of cheese beside a slice of apple pie, grief can accompany joy in a way that magnifies the whole. Further, we have to be careful not to instrumentalize the idea of grief as something that can act upon God apart from his will, as if it were stronger than him. The grief we're talking about is simply part of the unfathomably great love that God has chosen to express, so it is he, in his sovereign volition--not the grief--that has the mastery here. Grief does not act upon God as an external influence; God embraces this love-grief of his own accord. Now, this is probably all just an intuitional response, but we'll leave it at that--I simply don't see that God choosing to sing a melody of vaster love, one which entails a counterpoint of grief, is a necessary diminishment of his beatitude or joy. Rather, it just makes for a better symphony in the end.

But we still need to wrestle with the concomitant objection, that this all somehow makes God dependent on his creatures. If his emotional state, like joy or grief, is contingent upon external forces, a response to our actions--put another way, if it is something about himself that is shaped by others rather than himself--doesn't that shake the doctrine of his self-sufficiency, his supreme independence? Here the insights of Fiddes and others serve us well: this apparent vulnerability in God comes down to his own sovereign choice. It is his eternal, volitional act to become passible to us, to allow his heart to be moved by our choices. Nothing is taken from him; he lays it down of himself--and again, all of this redounds to the fullness of God's love. This is an expansive vision of the divine economy, and one that entails no ontological diminishment within the nature of God. 

God's Love as Maximal Perfection and Sovereign Volition

As I turn these things over in my mind, I keep coming back to the idea of God as the maximally perfect Being--the one whom, in Anselm's words, "nothing greater can be conceived." When we think of God's virtues as perfections, we usually imagine them by way of analogy, thinking of human virtues exalted and purified to their highest possible forms. To be maximally merciful is to exhibit mercy (which we know by its imperfect human expressions) in every applicable circumstance and in the fullest possible way. To be maximally just is to exhibit justice (which we also know by its imperfect human expressions) in every applicable circumstance and in the fullest possible way. In the same way, to be maximally loving is to exhibit love in a way that exceeds the highest forms of human love, not in a way that flips the human scale upside down. But love in the mode of classic impassibility appears to be the sort of love one might feel for a farm animal--always willing the other's good, but not the sort of vulnerable, passionate love one feels for a child. If we are to imagine God as the perfection of love, we must imagine this is as the perfection of what we mean by love--an even higher amplification, reaching perfection, of the highest forms of love we know, not a weird transmutation of something we would recognize as a lesser form of love, or mere kindness. Otherwise, we don't really mean that God is love; we mean something else, and we should choose a different word. The impassibilist view is a near enough fit for the God of Islam (in which, notably, God is not typically depicted as loving), but I'm just not convinced that it's a good fit for the God of the Christian gospel. 

To go back to the early church fathers--there were a few, if only a few, that verged slightly toward the case I'm presenting here (even if the vast majority went the other way). Origen--from whom Benedict XVI borrows for some of his view on the matter--was more willing to speak of God's emotions than were other patristic writers. And Maximus the Confessor--whose argument matches some of Fiddes's modern position--argues that the divine nature did actually, in a very real way, join itself eternally to the suffering and grief of the human nature of Christ, by a volitional choice. For Maximus, God's grief that I may be lost is an aspect of his love for me, eternally chosen out of his sovereign freedom in his act of creating me. So while Maximus might not portray God as always "feeling" that loss in the way we humans do, he would say that the grief of my loss is an eternal part of his love for me, freely and sovereignly chosen from before the world began. In this sense, then, any such grief is not enacted upon God by an external force; it is actively chosen by his own sovereign will.

Conclusion

Now, to be clear: in all humility, I'm really not sure I'm right on this. I'm just trying to give voice to my intuitions on the subject, as shaped by Scripture and instructed by the best logic my mind can follow. But we're talking about things that are far beyond our understanding, and it might very well be the case that the old classical view is a little more accurate than my way of putting it, and that I'm just misunderstanding the incomprehensible grandeur of the nature of God. Totally possible. But I think that's okay. I'm pretty sure I'm not giving in to mere modern mushiness or sentimentality, as impassibilists will sometimes impugn those who dare to disagree. My view hews close to Scripture and it shows up throughout church history far before "modern sentimentality" arises--just read Julian of Norwich for a clear view of a God characterized by a love so immense that it can only be understood in divine yearning and self-chosen suffering. 

For me, it comes down to a question of who I am going to worship. Either of the views above is permissible in Christian orthodoxy, but I must worship God according to the highest possible conception I can hold of him. And for me, that's a God of genuine love--the Father of the prodigal son. Until my conceptions and intuitions change, I must worship that God, because to my eyes, he is higher in love than the God of the impassibilists. He is more maximally perfect, and so he alone deserves my praise. (This is, incidentally, one of the reasons why I also prefer the classic view of the eternality of God--I feel like I can conceive of a greater Being than one which is limited to temporal sequence, and so to be maximally perfect God would have to transcend the limitations of time.) I'm not going to give my worship to something that seems to me to be inferior to another, greater Being. I hope and expect that God, in his mercy, accepts the highest worship I can possibly give, even if I (as is certainly the case) do not fully understand the scope of his nature.

Thursday, October 09, 2025

Is the Story of the Virgin Birth a Historical Fraud?


Of all the traditional doctrines of Christianity, none elicits quite as much eye-rolling scorn from "the cultured despisers of religion" (as Schleiermacher put it) as the story of the virgin birth of Jesus Christ. This is not surprising; to the crude and disenchanted minds of modern skeptics, anything that calls upon the supernatural is a target for derision--and even more so a supernatural act that turns the messiest, most carnal of human experiences (conception and birth) into something unutterably holy. A Christian can easily (and rightly) reply that with God, all things are possible. But to many doubters, the virgin birth smacks too much of the kind of religious fabulism that was common all across the ancient Mediterranean world. Why, then, should Christians believe the Gospels' story of the virgin birth? 

I recently preached on the prophecy of the virgin birth found in Isaiah 7:14. There I noted that the Hebrew word used, 'almah, was not a word that specifically meant "virgin" in the same way that our word does. Rather, it means "young woman," used of a woman of marriageable age until the birth of her first child. There is another word for an unbetrothed young woman, still in her father's care, which one might more readily go for if "virgin" is specifically what was meant. For this reason, some skeptics suggest that the Isaiah 7 passage was simply meant to refer to a contemporaneous event--the birth of a baby into either Isaiah's family or the royal household in Isaiah's time--but that it held no import for a future messianic figure. The problem with that, however, is that the text clearly implies something stunning is about to happen--indeed, something miraculous, which the birth of an ordinary baby would not fulfill. Further, the candidates often proposed (Maher-Shalal-Hash-Baz? Hezekiah?) simply do not match all of the data in the text (the former does not appear to be the first child of its mother, and according to biblical chronologies, the latter would have already been born). Even more, the overriding context of the prophecy, as the prophetic hinge on which the whole section of Isaiah 7-12 turns, suggests a future Messianic connection--Isaiah 9 and 11 especially so.

So why did Isaiah use this particular Hebrew word, if a virgin birth was in view? Importantly, there is no single specific word for "virgin" in ancient Hebrew to call upon, merely the two terms applied to young women of marriageable age--and when one considers this, and Mary as a possible referent, then it immediately becomes clear that 'almah was the correct choice: Mary was betrothed and no longer under her father's care, so she could not have fallen under the semantic range of the other word; and further, in a case like hers, virginity would absolutely have been assumed. The word 'almah itself might lean ever so slightly in this direction, etymologically appearing to refer to a marriageable woman who is somehow "hidden" or "enclosed." All of this is worth knowing, but it still doesn't make for an open-and-shut case that Isaiah 7 makes reference to Jesus and Mary. The Christian argument is bolstered, however, by the fact that the ancient Greek translation of the Hebrew scriptures, the Septuagint (LXX), translates 'almah as parthenos--that is, virgin (at the very least, it leans much more heavily toward that part of the semantic range). This means that two centuries before Christ, the best Jewish textual scholars were interpreting Isaiah 7 as indicating a miraculous, virgin birth. (There's even a charming apocryphal story from later tradition--likely untrue, to be sure--which says that Simeon, of Luke 2 fame, was one of the LXX translators, who was told by an angel that he would remain alive until he saw Isaiah 7 come to pass--which would make him something like a quarter of a millennium old in the Gospel, and which gives some added poignancy, and even a little humor, to his great "Nunc Dimittis" canticle.)

Anyway, after my sermon, I encountered a question relayed from a skeptical family member of one of my parishioners. They enumerated several reasons why a skeptic might legitimately think that the virgin birth story in the Gospels was an early Christian fraud, dreamed up because the Gospel-writers thought (maybe erroneously, thanks to the LXX translation) that the Messiah had to be born of a virgin. Why doesn't Paul mention it? Why isn't it prophesied in other places in the OT? Why do only two of the four Gospels mention it? This got me thinking about the solid textual and historical reasons that Christians have for believing this wild and beautiful story, so I wrote out a few notes in response, which might prove helpful to others, too.

While in strict historical terms, one cannot definitively rule out a possible interpretation of the virgin birth tradition as being an invention of early Christians in response to a misunderstanding of Isaiah 7:14, there are several quite good reasons for thinking otherwise:

 Old Testament foreshadowings: While only explicitly prophesied in Isaiah 7, there are several other possible allusions to the virgin birth throughout the Old Testament.

-   These begin as early as Genesis 3, in the “curse” narrative, where the prophesied “seed” who will crush the serpent’s head is said to be the seed of the woman. This is extremely unusual language; in almost every parallel construction referring to biological descent, reference is made to the seed of the man, not the woman (for cultural and, frankly, biological reasons—women didn’t have “seed”). To have the Messianic figure identified as the seed of the woman implies that the identity of his mother and the nature of his birth—presumably lacking a biologically male father-figure—will be exceptional.

-   In Jer. 31:22, as part of a longer section which refers to the coming of the new covenant, there is this intriguing line: “For the Lord has created something new on earth: a woman shall encompass a man.” [This is sometimes translated differently in modern versions, because the literal meaning of the Hebrew words makes almost no sense given the surrounding context (unless, that is, it’s a reference to the virgin birth), so some versions stretch the translation to try to make it fit other themes in Jeremiah.] The word for woman here is the term for the specifically biological/gynecological aspect of female identity, while the word for man is the word for a hero, a strong one, a mighty man. This appears to indicate, then, that in bringing forth his new covenant, God will do something new, something never before seen on earth, and that the miracle will center on a woman’s physical body encompassing (as in pregnancy) a mighty hero. If the virgin birth story is not true, then this is an exceptionally weird verse that makes little sense in its broader context; but if the virgin birth story is true, then it makes perfect sense and would seem to be a reference to that very event. Since this verse’s Messianic meaning is most clearly seen in the Hebrew, not in Greek translations like the Septuagint, the earliest Christians did not seize on this as a proof-text for the virgin birth; it went pretty much unnoticed until Jerome’s time in the early fifth century. This is important, because it means that here we have a plausible prophecy of the virgin birth that cannot be accused as having been a misunderstood passage that motivated early Christians to invent a virgin birth story for Jesus; rather, it stands as an independent witness to the plausibility of the traditional reading of Isaiah 7.

-   Other possible allusions to the virgin birth also exist: for example, the fact that Jesus’s progenitor David regularly uses references to his mother’s womb in his psalmic prophecies (rather than, as would be more culturally normal, references to his father’s house); and the Messianic “Servant” character in Isaiah 49 giving emphasis to divine action in fashioning him in the womb. None of these are definitive, of course, nor as clear as Isaiah 7, but there enough hints strung out throughout the OT canon that they give some support to the plausible reading of Isaiah 7 as pointing toward the virgin birth of Christ.

 Paul: While it’s true that Paul makes no direct reference to the virgin birth, to take this as evidence against the virgin birth is an argument from silence, so not particularly strong. An argument from silence is only compelling if there is silence where one would reasonably have expected something else. In Paul’s case, this is not so—Paul’s writings are not interested in providing a narrative of Jesus’s life—where they mention it, they focus only on the Lord’s Supper, the cross, and the resurrection (Paul also mention’s Jesus’s ancestral pedigree at least once, but there his main concern is about Jesus’s connection to the Davidic line). Paul’s silence would only be instructive if it came as part of a passage in which Paul was mentioning Jesus’s birth or his early life.

-   Many scholars think that Paul does make reference to it obliquely, even if not directly. In Gal. 4:4 he writes that Jesus was “born of a woman,” which would be a strange way of putting it in that culture unless he believed there was something exceptional with regard to Jesus’s parentage and birth.

-   Acts shows that Paul is also intimately acquainted with the evangelist Luke (and in a couple places he even quotes lines that match exactly with Luke’s Gospel), so given the prominence of Mary and the virgin birth in Luke’s writings it’s hard to imagine that Paul would somehow be unaware of that tradition.

-   Furthermore, the doctrine of the virgin birth is usually tied to a high Christology—i.e., seeing Jesus as divine. Some of Paul’s letters are usually counted as the earliest NT writings we have, and yet Paul’s Christology is remarkably high, which suggests that a high Christology was part of the early Christian movement from the beginning. The argument that Paul’s failure to mention the virgin birth says anything that would cast doubt on the traditional Christian view of Jesus is therefore highly questionable.

Gospels: Some skeptics will point out that the earliest Gospel, Mark, also has no narrative about the virgin birth (nor does John, which, although probably later, is the only “independent” Gospel account in the canon, while the other three lean on each other in various ways). Nevertheless, Mark seems to assume that knowledge on the part of the audience—in Mark 6:3, Jesus is called “the son of Mary,” which is a very unusual way of speaking of someone in that culture; reference would usually be made to the father. It’s also the only reference to Mary in Mark’s Gospel, which probably means that her place was so well-known in the early Christian community that no further comment was needed. And, like Paul, Mark seems to portray a higher Christology than one would expect if Jesus’s origin was merely human. John, for its part, has a wildly high Christology, and while it doesn’t reference the virgin birth directly, some take the verbal escalation in the conversation in John 8:41 as implying that the crowds had some questions about the legitimacy of Jesus’s parentage from Joseph (as one would expect if the virgin birth story were true), to say nothing of Jesus’s repeated insistence throughout the Gospel of John that he has come down from heaven and that God alone is his Father. Matthew and Luke, of course, form the main source material for the virgin birth narrative, and it’s worth pointing out that Luke tells us that some significant research went into the Gospel, and the content of chapters 1-2 suggests that one of Luke’s sources might very well have been Mary herself. All that to say, while the Gospels may not be as early as Paul’s earliest documents, they are still the earliest narratives of Christ’s life available, and all appear to testify to a unanimous conception in early Christianity that Jesus’s birth was miraculous and that he himself was divine.

Early Christian Unanimity: The other early Christian documents also appear to be unanimous in holding to the virgin birth narrative, which is not necessarily what one would expect if it were an invented story. If it had been invented, one would expect pushback from alternative traditions in the earliest sources, such as by James or Jude, who certainly would have been in a position to speak on the matter if an erroneous version of their own family’s history was being circulated. Yet James and Jude make no attempt to rebut the virgin birth narrative, nor even to cast doubt on Jesus’s identity in any way (an argument from silence, to be sure, but one where the silence may be telling). The immediate post-NT documents attest to this unanimity and deepen it, with specific references to Mary and the virgin birth in ways that affirm and expand upon the traditions in Matthew and Luke. This can be seen in the letters of Ignatius, the Ascension of Isaiah, the Odes of Solomon, the Protoevangelium of James, and the writings of Aristides, Melito, Justin Martyr, and Irenaeus (all first- or second-century sources). To my knowledge, the earliest alternative narrative does not show up until the late second century, some hundred and fifty years after Christ, when the critic Celsus brings up a rumor that Jesus was fathered by a Roman soldier, Pantera. The lateness of that alternative theory, compared to the unanimity of the earlier Christian tradition, does not give it much of an air of credence. Further, the very fact that the alternative theory was a theory of illegitimacy, suggests that even the early skeptics accepted as common knowledge that there was something unusual about Jesus’s parentage. The first appearance of the more obvious alternative theory—that Jesus could have been Joseph’s biological son—comes into view just a few years later, when Irenaeus castigates the heretical Ebionites for holding that theory. (The Ebionites were a schismatic sect that appears to have broken away from the orthodox Jewish-Christian group known as Nazarenes; for their part, the Nazarenes are believed to have descended in continuity from the original Jerusalem church, and patristic writings show that they held a high Christology, including the virgin birth). All told, then, the evidence for compelling alternative theories of Jesus’s parentage in the earliest sources is severely lacking, and the unanimity of the traditional Christian reading is significant.

Friday, September 26, 2025

Evangeliad News!


Regular readers of my blog will have noticed that things have slowed down considerably for me here in recent months, so I thought I'd give a quick note of explanation for why that is, and what comes next.

- In addition to a new book on historical missiology coming out this December, my Evangeliad is now also on the road to publication! This is big news, because I never really knew for sure if my longstanding poetry project would ever be more than something I did for my own joy (and the enjoyment of a select few blog-readers). Poetry books do not command a large market at all these days, so it's rare to find a publisher or literary agent who will even give such a thing a glance. But I'm happy to report that I'll be putting out the completed text next year through Resource Publications (an imprint of the major Christian publisher Wipf & Stock). This means that I'll be able to get it out less than a decade after I started, which at this point feels like a real win.

- For this blog, that means that my regular posts from the Evangeliad will cease for the time being. I'm planning, however, to bring back a regular cycle of articles dealing with various topics of interest in culture and theology. In my midweek Bible study at my church, I'll shortly be shifting over to soliciting questions from my parishioners on any matter they would like an answer on (probably starting in less than a month), and my intent is to answer worthwhile questions both here, in writing, as well as in the Bible study sessions themselves. Hopefully some good fruit will come of that. Even if no substantial questions are forthcoming, I have a few of my own that I'll be bringing out on the blog in the next few weeks: reflections on how to approach the culture of skepticism in some circles of New Testament studies (e.g., Bart Ehrman and his ilk), and an exploration of the hiddenness of God, especially with regard to the lived experience of Christians.

Anyway, that's what's coming. I've been told by some that perhaps I should switch over to one of the sleek new blogging venues like Substack ("blogging" is itself, I'm told, too old-school of a term), but I think I'll stick it out here in the pre-2010 corner of the Internet for awhile yet, if only because most of online life after that point has not been worth keeping up with. Besides, if readers come away with the sense that I'm some sort of Luddite dinosaur because I'm clinging to an antiquarian way of presenting my writing to the world, well...they'd probably be right, so there's no harm in properly representing myself. So for the faithful few that keep wandering over to this dusty old corner of cyberspace, keep the faith: at the very least, you'll still have randomly infrequent articles to look forward to. 


Thursday, July 03, 2025

How Jesus Explains One of the Weirdest Stories in the Old Testament

(Note: This is an original piece of biblical exposition. I've written and spoken about it on a couple of occasions, but never in a full article like this. It's an interpretation that has not been noted before in the history of Christian exposition so far as I can tell, but I believe it holds up. I'm working toward producing an article on this topic for a peer-reviewed theological journal, and I'll certainly post here if that happens.)


Tucked away in Genesis 15 is one of the strangest stories in the Bible—a bizarre theophany in which God appears to Abram as a smoking fire pot and a flaming torch, together making their way down a blood-soaked avenue between bisected animal corpses. This story is easy to overlook, both for its strangeness and for the fact that it falls between the Melchizedek story on the one hand, and the Hagar/Ishmael story on the other, and so is obscured by better-known arcs in the Abrahamic narrative. But this curiously unsettling story is actually something quite important—something that, if we had eyes to see, would unveil for us an enacted parable of the gospel itself. Its imagery, passing before Abram’s wondering eyes some two millennia before the Incarnation, portrays in visible form the very ideas that later Christians would call upon to articulate the mystery of Christ. The strange story of Abram’s covenant shows the gospel of Jesus Christ, painted in terms that would later find their echo in the great creed of Nicaea.

To careful readers of Scripture, the importance of Genesis 15 is plain to see. It ritually establishes the covenant between God and Abram, and it includes repetitions of the divine promises: to give Abram an heir and possession of the land of Canaan, as well as to redeem his descendants from their future bondage in Egypt.

Truth be told, some of the story’s strangeness finds easy explanation in our knowledge of the biblical world. While the rite which is portrayed seems both curious and macabre to modern readers, it is not unknown. God asks Abram to take one of each of the main kinds of sacrificial animals—bull, goat, and sheep (as well as some doves)—and to cut their bodies in two, arranging the bisected sections so that they are lined up on opposite sides of each other. This creates a blood-soaked pathway between the corpses.

To ancient readers of this passage, this would be a recognizable scene. We have evidence of a similar (though much later rite) described in Jeremiah 34:18-20, as well as contemporary attestations from elsewhere in the ancient Near East. This was the act of “cutting a covenant,” the solemn rite in which the two parties of a covenant would pledge themselves to the covenant stipulations. Each party to the covenant was to walk down the bloody pathway, with the implication being that if either party broke those stipulations, the penalty was the very one depicted by the outpoured blood at their feet.

This brings us back to Genesis 15, in which Abram has set up the scene of the covenant rite just as God requested it, and then—presumably waiting for God to show up so they could proceed with the ritual—Abram falls into a deep sleep, and a great darkness comes upon him. These are clues that the theophany is at hand: the deep sleep echoes Adam’s deep sleep as God was bringing forth Eve from his side, and the darkness foretells a similar darkness that enshrouds Mount Sinai when the presence of God is there. When the narrative of the ritual scene resumes, we come to the strangest part of all: “When the sun had gone down and it was dark, behold, a smoking fire pot and a flaming torch passed between the pieces” (Gen. 15:17, ESV).

There are two unexpected and curious things about this. First, there’s the fact that Abram is not a party in the covenant rite. He does not walk the bloodied pathway. And second, the symbols themselves are bizarre: a smoking fire pot and a flaming torch. What could this mean? Any good set of commentaries will tell you that the basic symbology of these items—both related to fire—show them to be a theophany. Fire is a frequent image of God’s presence throughout the biblical narratives, from the pillar of fire in Exodus to the tongues of flame at Pentecost. The fire pot and the torch are thus both meant to represent God.

The fact that there are two such symbols seems to indicate that God is taking the place of both parties in this covenant rite. Remember, it was supposed to be the two persons entering the covenant with one another who would pass between the animal corpses: in this case, God and Abram. But instead, it is God and God, even as Abram and his descendants are declared to be the heirs of the covenant promise. And here we come to the first wondrous insight, which thunders with the message of the gospel: by playing both roles, God is pledging to take upon himself the punishment for any transgression of the covenant. Should Abram or his heirs violate this covenant of promise in any way, it is not Abram on whom the penalty will descend, but it will fall on God himself, for he is one who walked the avenue of sacrifice in Abram’s place. The punishment that should have fallen on the rebellious covenant-heirs will fall instead on God. This is nothing less than the gospel of Jesus Christ.

Yet we still have to reckon with the specificity of the images involved. God could have appeared in a plainer and more obvious form—say, as two pillars of flame—but instead he chooses a smoking fire pot and a burning torch. Why? These are two common household objects, which everyone in the ancient world would recognize. The element of fire certainly binds the two together, but there is another aspect by which these images are related: the burning torch is drawn from the fire pot’s flame. The first image, that of the fire pot, is the central source of fire for an entire household, used for cooking and heat and always kept alive in a bed of glowing embers. Every other fire-bearing implement, in one way or another, draws its flame from there. The torch, then, shares the very same nature as the fire pot does—the flame itself—but it is customarily lit from the fire pot, and not the other way around.

What we have here, then, are two divine images, which share the exact same nature in all of its qualities, but one is the Begetter and the other is the Begotten. This is not only the way that the New Testament describes the relationship between the Father and the Son; it is also the way that the Nicene Creed articulates the divine nature of Christ: “Light from Light.” It is perhaps no accident that the very function of a torch was as a bearer of light, bringing the flame from the fire pot’s heart out into the darkness of a benighted world. The mystery of the Trinity, which we still speak forth in the words of Nicaea, written seventeen hundred years ago, was played out before the patriarch’s eyes all the way back in the pages of Genesis.

Come back once more to the story of Abram’s covenant, then. We not only have a double theophany, in which God himself takes Abram’s spot. We can now describe the scene in even greater detail: the person of the Godhead who takes Abram’s spot in the ritual is none other than the Son of God. Here God the Father and God the Son walk the covenant pathway together, pledging themselves forever to Abram and his heirs, and it is the Son, moving second through the pieces, who assigns the penalty to himself should any of the human parties fail. Jesus pledges to take the punishment that should have fallen on us. This is a passion-play of Calvary, acted out by God himself two thousand years before the fact. Is it a strange story? Certainly. But even in its strangeness, we catch clear-eyed glimpses of a stranger story still to come: that the eternal Son of God, the Light from the Father’s own Light, would bear the curse of our darkness so that we might inherit the promises of God.